You little genius! How to cultivate your creative gifts

Tim Rayner
9 min readMay 1, 2016

Everybody is a genius. But if you judge a fish by its ability to climb a tree, it will grow up believing it is stupid. — Albert Einstein

‘What is your genius?’ Try reflecting on this question for a moment. I have found that when I ask people this question, they don’t know what to say. The G-word can stop us in our tracks. Years ago, when someone first asked me: What is your genius? I thought: ‘Genius? What genius? I’m just a guy’.

I am just a guy. But I have come to see that everyone is touched by a certain genius. Perhaps it is just a gentle caress. Perhaps your genius lies in something so uncommon and unusual that you’ll have to search the world before you find the chance to express it. There may be years of toil, of wanderings near and far, a host of adventures in your path before you finally discover your true potential. But there is genius in you, waiting to be discovered. My aim in this post is to show you how to find it.

If everyone is a genius, why is the world so messed up? For creatures who have a capacity for genius, we do a great job of being dumb. Clearly, we are not, at this point in history, living up to our potential. This is hardly surprising, given we only put a fraction of the work we could into identifying and exploring our gifts. We doubt ourselves. We aim low, where most people are playing. Once we’re outside the education system, few of us bother to cultivate our inner genius. Can you imagine your boss telling you to find that rare and special thing that makes you great and develop it? Not going to happen. We are products of cookie-cutter education systems, of ‘knuckle-down-and-conform’ economies, of shallow, hyper-mediated, cultural systems that celebrate cannibalization and incremental innovation over disruption (Lady Gaga is the new Madonna; the latest superhero blockbuster is the cannibalization of every superhero trope that has come before).

Given this, it’s not at all surprising that most of us wind up forsaking our deeper talent. Why bother to look for brilliance in yourself when society as a whole is geared for averageness? Why stick your head up over the edge of the trench? You’ll get it blown off.

What an appalling waste of talent. Don’t give up on yourself like this. Find that rare and special thing that you do extraordinarily well and make it central to your life. Here’s how you can do it.

1. Get lost. To find where you belong

I’d like to ask you to take a moment to reflect on the quote heading up this post. Einstein says: ‘If you judge a fish by its ability to climb a tree, it will grow up believing it is stupid’. What do you think he means by this?

Einstein is playing on the idea of a fish out of water. In the aqueous environment, a fish is a magical being defined by grace, speed, and agility. Out of its environment, these gifts are null and void. The only way a fish will climb a tree is in the paw of a monkey who is carrying it home for dinner. If we were to judge the genius of a fish based on its performance in a forest, we’d conclude that it was a waste of space.

The fish, of course, is just an analogy. Einstein wants to encourage us to think differently about our own potential. Ultimately, he is asking us to consider the possibility that our true genius may be hidden from us on account of the environment, or environments, we live in. Ever seen a monkey glide through coral in a shaft of light? Dance a ballet with a school of monkeys, feeding on the shifting tide? We wouldn’t judge a monkey on the basis of its performance at the bottom of the sea. Why is it, then, that we judge our own powers based on our performance in environments that we did not choose but simply found ourselves in?

Like fish out of water, we watch our compatriots swing through the trees and curse our luck to be born clumsy and stupid. But what if our apparent lack of talent were really just a lack of fit — a lack of fit between our personal gifts and the contexts in which we are expected to apply them?

What environments do you need to cultivate your gifts? Perhaps it’s the hustle of a working kitchen in a big city restaurant. The orderliness and precision of a financial consultancy, where everything has a number and value. An isolated tract of wilderness, where you can hunt game and go skinny-dipping in the river. Everyone is different, and everyone needs a different environment to unleash their gifts and become what they can be.

Never assume that the environment you’ve been born into, or become calibrated to over time, is the ideal environment for you. The world is vast and there are myriad places, spaces, companies, communities, platforms, and practices that you can slot yourself into. Forget about who you’ve been told you are and even where you think you belong. Sometimes, to find yourself, you need to lose yourself first. You need to leave the place where you’ve been raised and wander in the wilderness awhile to find your home.

So get out into the world and explore. Get lost and find where you belong. This is a vital piece of wisdom for anyone — young or old — who seeks to cultivate their gifts.

2. Find your flow. And work it

The second thing is to find your creative flow. Flow lets us tap into the intuitive side of the mind and harness our potential. Look especially for challenging activities that help you get into flow. The way you get into flow offers a good indication of your gifts.

Everyone has experienced flow at some time or other. Flow is the state of mind you slip into when you are doing something and you become completely absorbed in the activity. You become fully focused and engaged, without feeling that you’re trying to hard. You are ‘in the zone’. You might be dancing, playing a video game, or just chucking a ball about. Time slips away — your sense of self slips away — and you become part of the activity itself.

Studies show that, in the state of flow, we tend to perform better than when we are thinking about what we’re doing. We become more creative too. We shut down the prefrontal cortex — the part of the brain responsible for conscious reflection — and tune into our holistic bodily awareness. We slip into a state of consciousness akin to daydreaming. We become more sensitive and receptive to new ideas and associations. It becomes easier to improvise and spontaneously create. It becomes easier to tap into our creative gifts.

Flow reveals our personal genius. Mihaly Csíkszentmihályi, who pioneered the study of flow at the University of Chicago, claims that we get into flow by finding activities that enable us to match our skills to particular challenges. If a task is too difficult, we get frustrated. If a task is too easy, we get bored. We achieve flow states when we find ourselves tested and yet capable of meeting the challenge. We are fully challenged and engaged, yet not overwhelmed by the task at hand.

Let’s connect this insight to the previous insight about finding your place in the world. When you head into the world in search of your gifts, make sure that you challenge yourself. You need to leap into tasks and tackle challenges that you’ve never wrestled with before. You need to constantly put yourself to the test. The point is not to make things hard for yourself — though this will be the initial result. The point is to identify those challenges that shouldbe hard for you but that you find intuitive and easy.

Prepare yourself for hard knocks. In many (if not most) cases, you’ll find that the challenge that you undertake overwhelms you like a giant wave that dumps you on the ocean floor. Occasionally, though, when you let yourself go and tap into your gifts, you’ll find that the wave does not break on your head, but sweeps you up to its vertiginous crest and powers you forth. You’ll find that your powers are equal to the task. You’ll find that you are capable of extraordinary things — things that many other people struggle to do.

Through flow, we find our gifts. When we find ourselves in flow unexpectedly, in the midst of a unfamiliar task, we are tapping into genius.

Usually, when people offer advice about how to find happiness and fulfiment, they say: ‘Find what you love’. Find that thing that makes your heart sing and do it. I agree that, in the best of all possible worlds, the things that you do extraordinarily well should fill you with happiness and fulfilment. But it is a mistake, I think, to try to identify your gifts starting with the things you love. What we love most of all is comfort and security. Love binds us to environments that we are well accustomed to, and there is no guarrantee that these will be the best environments for enabling us to thrive. If we try to identify our gifts starting with the things that we love, we inevitably short sell ourselves. We take the easy road to self-fulfilment, rather than the challenging route that tests us and brings out our mettle.

If you want to cultivate your genius, look for the most challenging things you enjoy doing, not the things that you love. Tackle these tasks and make them easy and you’ll discover a sense of accomplishment that can be even more rewarding than love. Love has immense rewards, it’s true. It can also weaken and corrupt us, as philosophers through the ages have attested. Seek flow, not love; and you’ll discover a deeper sense of love that comes from self-respect. You’ll learn to love the things that you do best, not just things that are easy and familiar. In the process, you stand to become someone who is worthy of love and being loved, and there is nothing better than that.

3. Dedicate 10 years to excellence

Identifying your gifts, of course, is just the beginning. To cultivate your creative genius, you need to devote yourself to developing these gifts. Personal mastery takes practice. Ten years, or 10,000 hours, should do it.

The American author Malcolm Gladwell reaches this conclusion in his book,‘Outliers’. Gladwell researched the lives of people who had been astonishingly successful in their fields. He found that these people had devoted at least 10,000 hours to honing their craft before their career took off. That’s an average of 20 hours per week for 10 years. The Beatles spent 10,000 hours rocking the clubs of Hamburg before their first hit record climbed the charts. Gladwell himself spent 10,000 hours plying his trade as a journalist before writing his first bestseller.

Gladwell’s 10,000 hour rule is the third condition for cultivating your creative genius. To turn your talent into a life-defining pursuit, you need to devote 10 years to excellence. As Aristotle said: ‘We are what we repeatedly do. Excellence, then, is not an act but a habit’.

You need to work at what you do best until finding your flow becomes second nature, until genius is no longer something that you aspire towards, but simply something that you do.

For some readers, this will be discouraging news. We like to think that if we are truly good at anything, we should be able to do it excellently at the drop of a hat. This is simply not true. As someone who has made a career out of creating good ideas, I can tell you it is hard work. Before you can start producing good ideas with regularity, you need to throw a lot of stuff at the wall. You need to try, try, try — fail — try — fail — and keep going.

Failure is not evidence that you are no good. Failure is a milestone on the road to greatness. Mark that milestone and keep on walking.

As you walk this road, keep an eye on the prize. Forget about the upsets and false starts, and push through the challenges with everything that you’ve got. Stay focused on the intrinsic rewards. Focus on becoming who you are. Your task is to find yourself, to figure out what you love, and to develop discipline and mastery. It is a hard path. But it is the only way to find your genius.

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Tim Rayner
Tim Rayner

Written by Tim Rayner

Co-founder @PhaseOneInsights. Teaches innovation and entrepreneurial leadership at UTS Business School. ‘Hacker Culture and the New Rules of Innovation’ (2018)

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